the maxi

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I recently picked up the dress from Curator I mentioned admiring a while back. I consistently like this long, loose, belted tunic style—vaguely Athenian or sprite-like—especially for summer.

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A contrasting belt could add interest but this look is more about simplicity.  And this jungle green, jade color I find so lovely, it’s almost a shame to break it up. It’s some kind of hi-tech imitation silk that drapes beautifully.

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I hunted around for ages to find this bag, a French style straw market basket with dual leather straps. It seems like it should have been a straightforward hunt (presumably in France it is) but I didn’t find that to be the case. There was often something that didn’t ring quite true about most of the ones I found, as if they were poor translations of the authentic thing. This one is from Harabu House.

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This is NARS Taj Mahal blush again, which loving.

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Mabel dress from Curator SF, Harabu House market basket, Skagen watch, Kara Ross bracelet, scarab pendant. On the lips, Tom Ford lipstick in Wild Ginger. So glad to break out these gladiator sandals again, which are still everything I want them to be.

There is a natural simplicity to this look that is ideal to me. Everything comfortable and earth-toned yet with a sense of being purposefully chosen that pulls the elements together into elegance. This is one of my ideas of elegance, anyway, the simplest and therefore often the best kind.

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x

 

endless summer

It’s strange how fully I (and we, as a culture, it seems) fall for the myth and the romance of summer given how, at least here in the Boston area, summer is a horrible, humid stretch of days during which one attempts to stay in the air conditioning as often as possible. I am miserably hot for the better part of summers here, if I think about it, a fact I seem conveniently to forget sometime around January, and fail to remember until June. It’s really only nice for a few days here and there, and usually only part of those days, before and/or after a sudden, unforeseen downpour.

I still feel the consumerist desire to kit myself out for the mystical stretch of the year that is summer, however. I want to be prepared for the impending vacances (I am not scheduled, at the moment, for a single day of vacance, reader), the long, languid soirées (ditto soirées), the sangria and mojito filled late afternoons (I will be working through virtually every one of those afternoons…).

Still I read such articles as ’10 summer must haves’ and ‘5 best lipsticks for summer’*. I want to wear orange lips, too. I really do.

*ALTHOUGH one is always taking in more data than one needs, and carefully over-preparing for hazy impending events. So…not necessarily a waste of time. Not entirely a waste of time/money.

This is to say, I am living in a fantasy wherein it seems I need to prepare for a life that doesn’t quite (at all) coincide with what is realistically (even just based on the statistics from last summer) going to happen. Really it is likely to be like a lot of the rest of the year, just inconveniently hot.

Yes, but! I could go to more parties this year! I might! Be invited to more! And then actually go!

I could.

I might.

I’m considering it.

So I probably need a new dress. A new bikini, clearly. And some lipstick. And, like, special summer moisturizer, and better legs, somehow. Suddenly my legs won’t do at all?  I need which products to mollify the gods of summer?

And somehow all the stuff I did and got for last summer and the summer before that (and the summer before that…) do not quite cut it?

Summer is such a genius cultural myth, capitalism-wise. I will give summer that. Even seeing through it, I genuinely fall prey to some of this marketing. Some of it overlaps with basic optimism about life (it’s optimistic to hope to go out, to plan social events, and to plan for the trappings of those events), and in some cases I just want the kind of stuff I want all the time, and the season provides a fresh context in which to want it. And in some cases it overlaps with common sense, like needing lighter clothes for summer, or sunscreen.

I like the kind of beauty looks that always crop up around summer, sheer, natural looks that tend to focus on looking healthy and fresh-faced. They hark back to the 60s and 70s concept of the American beauty, when the fashion magazine industry had just sprung up to document a world of fashion, and American models were known for their overflowing good health, athleticism, and a preference for natural (or natural looking) faces.

What I’m leading up to is: I bought some summer lipsticks.

And they are excellent.

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Lipstick Queen’s Endless Summer collection has a sheer, emollient formula like that of Jean Queen (the formula I wanted their Saint lipsticks to have, and they don’t quite), which I’ve already mentioned liking so well.  I think this kind of transparent formula, its texture hovering somewhere between a cream and an ointment (shea butter-based), its pigmentation unassailable, is effortless, foolproof. I think it’s on par with Chanel’s Rouge Coco Shine formula, and at a better price (if fewer colors). Want to get someone a gift of lipstick? Get them one of these (especially Jean Queen, which is a dark, I would say universal pink). Or one from Chanel.

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Stoked is a gently orange-toned tomato red, and Perfect Wave is a blue-tinged bubble gum pink. Stoked is the winner for me, but orange reds often are.

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Oh, OK. Here are some swatches.

I like the name, too. Endless Summer. I have summers that live on persistently in memory like this, seeming not to fade or lessen in their significance over time. Ready to be turned to, returned to, at any moment.

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I really like this packaging, too. This metallic orange  is beautiful.

I would wear these all year round.

 

P.S. For the record, I prefer autumn.