the full skirt

Do not look upon all this that I am telling you about the clothes
as uncalled for or spun out, for they have a great deal to do with the story.

                                     – Cervantes, Don Quixote

Some mornings I wake and wonder: if I could wear anything that day,  truly anything I want…what would I wear?

Then, I wear that.

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IMG_7800I recommend it.

There are certain eras of style that resonate with me, notably including the Victorian era (technically 1837-1901, a lot happened but I like the later years) and stages of early America, roughly the 1840s and extending maybe a decade on either side; the era of pioneers and the gold rush, of saloons and prairies.  We still have prairies…but I mean the ones after which the dresses are named. You know the ones.

I love this shape, the full A-line. I’m glad to see more and more knee and calf-length bell skirts out and about (see minute 1:45), and plan to get in on that, too.  I embraced the historic aspect here, pairing the skirt with an old-fashioned top and hairstyle, but imagine it with no crinoline and a T-shirt. I don’t see why there would be anything unwearable about it. Who cares about this “wearability” anyway? If you want to wear it? This shirt would be nice with just jeans…but there will be other days for that.

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For me style is sometimes less about looking polished or “stylish” and more about a very specific kind of wish fulfillment or direct expression. In the first case clothing often feels to me like armor that helps me to interface with the world in a way that preserves my individuality and independence; a contemporary uniform that makes it easier to behave like my best public self, designed with the purpose of being worn in this culture, in this era. In the second case of style as fantasy, style as an interpretation of a vision that would get some strange looks on the street, clothing is the opposite of armor, the unprotected translation of self. Such looks are designed with really no purpose save the delight of the self. They are manifestations of my own projections of myself within myself.

Looked at another way, I have a tableau in mind, just like any magazine editorial, and I am the model and creative director in one.

Looked at another way, style is personal.

IMG_7806Civil war era reproduction camp skirt (thrifted) with crinoline (eBay), lace top (thrifted, which I ought to have steamed), obi sash/belt (eBay), Bass oxford pumps (thrifted), Pearls of Joy 10-11mm pearl studs, lace parasol (a gift), vintage Timex watch.

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Wear what you want.

x

denim + denim

Nothing goes with denim quite like…

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…more denim.

I also like denim and pink together. This pearl rope is the last of the pieces I borrowed from Lilia’s Treasures Etsy shop (you can see the other pieces here and here), pink drops with beautiful luster.

[More thoughts on pearls here. I am an enthusiast.]

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Tying a knot like this is my favorite way to wear a rope right now.

IMG_8338Are we done yet?

Here’s a better look at the Breil Milano watch I’m wearing a lot at the moment. I’m wearing it in a few other places but it’s been difficult to see. It is massive, which was what I was going for – that appeal of borrowing masculine elements. It’s almost comically oversized, and my wrist isn’t especially small. I like…basically everything about it.

IMG_8353Denim shirt from cloth & stone (via Marshall’s), Rich & Skinny (I know: terrible brand name. But they were $5, and they’re fitted but still kind of slouchy, with really big back pockets, like I like…) jeans (thrifted), python buckle belt* (eBay), Breil Milano watch (eBay), Eric Michael Laguna boots, necklace from Lilia’s Treasures. On the lips: Lancôme Rouge in Love lipstick in Fiery Attitude.

*pythonnnn

Really liking the look of a bold lip and an essentially bare face (more importantly, bare eyes). Here I’ve just haphazardly bashed some bronzer on and skipped blush altogether, which look I also like.

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 This post is not sponsored. All opinions are my own. Featured pearls are on loan from Lilia’s Treasures.