violet mood

What is it about violet?

A bit of red, a bit of blue, beautiful on all skin tones and eye colors in some shade or another, unmistakably a color in the child’s sense, non-neutral, not of the earthground. Purple was, historically, my favorite color. The color that had, from the age one can identify discrete colors to, say, 13?, no peer. A sage green snuck in on it around then, and I grew more diplomatic and embracing in my preferences, but I remember an abiding love for purple.

Can you recall a time when all something had to be was a certain color to ensure success in your eyes? For me it hardly mattered what the thing was, so long as it was some compelling shade of purple. Preferably leaning toward violet, which—perhaps I have only made it up?—is more blue. So simple!

I am still like that with some shades. Even something quite worthless or otherwise unappealing can catch my eye if it strikes a chromatic chord. All that has changed is: the nature of the shade is more precise, and there is more than one.

Here are some of the violet lip things I like, ranging from lavender to fuchsia.

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Revlon ColorBurst Matte Balm in Shameless, MAC lipstick in Heroine, OCC lip tar in Butch, NYX Soft Matte Lip Cream in Copenhagen, MAC pencil in Nightmoth, Buxom Full-On Lip Stick in Havana, ColourPop Grind pencil, Rimmel Violet Pop lipstick, Kat Von D Everlasting Liquid Lipstick in Bauhau5, NARS Audacious Lipstick in Vera

Though there are so many species of purple, I like shades across the spectrum. I think it’s not so much about finding a shade that works for you in the broad sense of warm vs cool or pale vs dark, but a much more particular question of finding specific shades within each region. I think this goes for all colors, reds and oranges, pinks and so on. And for all wearable things, really, not only lipstick. Lipstick is a good example, though, as it is produced in such a crazy volume of often very very very similar shades, and you can establish fine distinctions in compatibility within each shade family.

It means, too, that lipstick lives on those borders between shade names. It’s a great reminder of how hazy the distinctions between colors are, and how fluid a creature color is. I think we can forget this with our shorthand color names, forget that those names are abbreviating small worlds of visible color.

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This ability to hone in on a precise shade is powerful because while vaguely hitting the target of a shade that is flattering to your complexion is effective, hitting the bullseye is devastating. The impact of the right color (colors, there are many) is incredible. You can look more awake, healthier, arresting, demure, sultry, chic, classic, alive in some new, different way to your usual, everyday aliveness. If you haven’t yet had this experience…I’m pretty sure you need to try on more colors.

There is the added appeal of purple being decidedly outside the realm of typical lip colors. It stands out. Whatever the shade, it reads in bold print.

Mini reviews:

Revlon ColorBurst Matte Balm in Shameless : Love this formula, this is not the best of the shades in terms of payoff but: drugstore purple! This is the truest purple of the bunch, the closest to your rainbow purple.

MAC lipstick in Heroine: Needs a lip pencil but a great, medium purple for yellow or olive skin tones. It’s bizarrely bright, and fantastic because it is so, so, so not your natural lip color. I don’t know of anything natural that is quite this color.

OCC lip tar in Butch: A pain to apply but really fun colors, and they stay put. This hovers on the border between lavender and powder blue. Good to have a few fun colors like this, I say.

NYX Soft Matte Lip Cream in Copenhagen: was just talking about this, these can be messy to apply as well but great colors and a great price – this shade the darkest of the lot: autumn all over.

MAC pencil in Nightmoth: MAC pencils are a little dry but this also means they don’t move around on you and make a solid base. Nightmoth is a deeply pretty pinky aubergine.

Buxom Full-On Lip Stick in Havana: I don’t love this formula, somewhat patchy and smells poorly perfumed (semi-disguised play-doh), but this color is a great dark aubergine if you stick with it. Actually I don’t at all recommend this, but I don’t dislike it enough to ditch it, quite.

ColourPop Grind pencil: quite pleased with these pencils. Decently creamy, nicely pigmented, great out-of-the-box color selection, $5. This is a great match for MAC Heroine, just a little less yellow.

Rimmel Violet Pop lipstick: an easy, bright raspberry. Keep it up, Rimmel.

Kat Von D Everlasting Liquid Lipstick in Bauhau5: A vivid hot-house fuchsia. Lips that practically leap off your face. Fantastic long-wearing formula.

NARS Audacious Lipstick in Vera: A perfect warm aubergine. Slick and creamy formula, really lovely. As with most formulas, some colors perform better than others.

And some swatches done haphazardly on the back of my hand, taken with my phone, in a different order, with Revlon forgotten. You’re welcome!

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MAC Heroine, MAC Nightmoth, Buxom Havana, NYX Copenhagen, KVD Bauhau5, ColourPop Grind, Rimmel Violet Pop, NARS Vera, OCC Butch

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sweet william, oregano, mini cala lillies

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Dolce Lover

I’ve been in the mood for pinks lately, of all shapes and sizes, as it were. Blue-pinks and coral pinks, vibrant and restrained, nude and bubblegum, sheer and full-on. In Dolce and Gabbana Beauty’s matte lipstick range I found this deep rose shade, Dolce Lover, and was immediately attracted.

Dolce and Gabbana beauty, NARS, Charlotte Tilbury powder, Clarins concealer, Benefit Gimme Brow

CoverGirl Clump Crusher mascara, NARS blush in Gilda, Benefit Gimme Brow (light), Clarins instant concealer (2), Charlotte Tilbury powder (2), Dolce & Gabbana beauty matte lipstick in 624 Dolce Lover

Depending on the light, this lipstick looks on the verge of red in the tube, and on the lips as well for that matter. It is, though, a deep, vivid rose. This is an incredibly pretty color, and a great matte formula. I put this up with Charlotte Tilbury’s matte lipsticks, maybe Tom Ford’s as well. Creamy and not at all drying, that kind of incomprehensible formula that does kiss off on things, on account of the creaminess, but that, somehow, bizarrely, is always still on your lips. A beautiful formula.

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I’m also wearing (in addition to the pile above) the it Cosmetics lip pencil in Cherry Plush and a little Guerlain Terracotta bronzer. Oh, and the Glossier sheer tint. A really clean face with a bold lip, which I always like.

I’ll have to try to go into the universe of red as it exists for me sometime, especially as embodied by lipsticks and other lipstuffs. I make so many distinctions between shades, often—even after discovering so many wonderful shades—on the hunt for something….something a little different. Something I can’t quite put my finger on. The color of this tomato or that flower. This pink, hovering on the boundary between pink and red, has a vibrancy that some reds, however, glam, sometimes lack for me. It’s matte but not in way that cancels out light like some black hole on your face. It responds to light. There’s also the charm of it being more truly opposite my eye color on the color wheel. Red is opposite green in a basic crayon sense of those colors, but pale sage green is opposite something more like fuchsia, dark pink. Messing around with a color wheel is a great exercise when testing out complimentary shades for oneself, always keeping in mind that it should be completely ignored in many, many circumstances. And maybe also keeping in mind that really any shade on the opposite hemisphere (not just directly or even narrowly opposite) will have a similar effect of throwing your target shade into relief. [Ex. A peachy cheek makes the green pop, too, or the green makes the cheek pop. Either way.]

Then we have the unlikely pairing with NARS Gilda blush, a rusty pink (or we could call it a blushing apricot, cactus flower) that isn’t much talked about for reasons unknown, so lovely is it. [Similar to NARS Luster but more pink.] It’s recommended, for good reason, to keep lipstick and blush in the same color family, it gives harmony and unity to the face (I sometimes just use the lipstick as a cream blush). A warm blush paired with a cool lip is jarring, distracting…but who is to say this is inferior to harmony? Somehow the distracting quality comes across more in photos than in person, in person it seemed less remarkable a clash. Actually this would be better if the clash were more dramatic, I think.

Ah well.

Next time.

Maybe when I get around to showing you the little mountain of pink lipsticks I’ve picked up recently.

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