endless summer

It’s strange how fully I (and we, as a culture, it seems) fall for the myth and the romance of summer given how, at least here in the Boston area, summer is a horrible, humid stretch of days during which one attempts to stay in the air conditioning as often as possible. I am miserably hot for the better part of summers here, if I think about it, a fact I seem conveniently to forget sometime around January, and fail to remember until June. It’s really only nice for a few days here and there, and usually only part of those days, before and/or after a sudden, unforeseen downpour.

I still feel the consumerist desire to kit myself out for the mystical stretch of the year that is summer, however. I want to be prepared for the impending vacances (I am not scheduled, at the moment, for a single day of vacance, reader), the long, languid soirées (ditto soirées), the sangria and mojito filled late afternoons (I will be working through virtually every one of those afternoons…).

Still I read such articles as ’10 summer must haves’ and ‘5 best lipsticks for summer’*. I want to wear orange lips, too. I really do.

*ALTHOUGH one is always taking in more data than one needs, and carefully over-preparing for hazy impending events. So…not necessarily a waste of time. Not entirely a waste of time/money.

This is to say, I am living in a fantasy wherein it seems I need to prepare for a life that doesn’t quite (at all) coincide with what is realistically (even just based on the statistics from last summer) going to happen. Really it is likely to be like a lot of the rest of the year, just inconveniently hot.

Yes, but! I could go to more parties this year! I might! Be invited to more! And then actually go!

I could.

I might.

I’m considering it.

So I probably need a new dress. A new bikini, clearly. And some lipstick. And, like, special summer moisturizer, and better legs, somehow. Suddenly my legs won’t do at all?  I need which products to mollify the gods of summer?

And somehow all the stuff I did and got for last summer and the summer before that (and the summer before that…) do not quite cut it?

Summer is such a genius cultural myth, capitalism-wise. I will give summer that. Even seeing through it, I genuinely fall prey to some of this marketing. Some of it overlaps with basic optimism about life (it’s optimistic to hope to go out, to plan social events, and to plan for the trappings of those events), and in some cases I just want the kind of stuff I want all the time, and the season provides a fresh context in which to want it. And in some cases it overlaps with common sense, like needing lighter clothes for summer, or sunscreen.

I like the kind of beauty looks that always crop up around summer, sheer, natural looks that tend to focus on looking healthy and fresh-faced. They hark back to the 60s and 70s concept of the American beauty, when the fashion magazine industry had just sprung up to document a world of fashion, and American models were known for their overflowing good health, athleticism, and a preference for natural (or natural looking) faces.

What I’m leading up to is: I bought some summer lipsticks.

And they are excellent.

IMG_3369

Lipstick Queen’s Endless Summer collection has a sheer, emollient formula like that of Jean Queen (the formula I wanted their Saint lipsticks to have, and they don’t quite), which I’ve already mentioned liking so well.  I think this kind of transparent formula, its texture hovering somewhere between a cream and an ointment (shea butter-based), its pigmentation unassailable, is effortless, foolproof. I think it’s on par with Chanel’s Rouge Coco Shine formula, and at a better price (if fewer colors). Want to get someone a gift of lipstick? Get them one of these (especially Jean Queen, which is a dark, I would say universal pink). Or one from Chanel.

IMG_3374

Stoked is a gently orange-toned tomato red, and Perfect Wave is a blue-tinged bubble gum pink. Stoked is the winner for me, but orange reds often are.

IMG_3379

Oh, OK. Here are some swatches.

I like the name, too. Endless Summer. I have summers that live on persistently in memory like this, seeming not to fade or lessen in their significance over time. Ready to be turned to, returned to, at any moment.

IMG_3373

I really like this packaging, too. This metallic orange  is beautiful.

I would wear these all year round.

 

P.S. For the record, I prefer autumn.

 

the scarab pendant

Speaking of objects I was entirely right to acquire, here is an antique wood and enamel scarab pendant I finally picked up after many months of watching from afar. The colors and visual texture are incredible, and it reminds me of the intricate scarab cabochons you see in the ancient Egyptian section of the MFA (or any such museum), which I always find arresting. Like to try to imagine how they would have been used and worn. It’s quite small, just a little over 1/2″ long. This green-leaning turquoise hue appeals to me in just about every context, really, but especially this one.

[Imagine a massive scarab to hang on the serpent necklace, see what I’m saying? How FIERCE would that be?]

$(KGrHqF,!pcFD9iU8NJLBRD-oWunCQ~~60_57

I’ll get more into my love of the ancient Egyptian aesthetic later I’m sure, for now it suffices to say that yes: the creatures chosen for artistic representation, the blending of myth and nature and the mythical resonance of just about everything/pervasive symbolism, the crisp lines and bold colors, the prevalence of gold, eyeliner for all, and of course all those sphinxes…I love it.

I love, too, the process of building – borrowing and elaborating from the great pool of history and myth – my own mythology and establishing my own set of personal symbols, replete with any power I have channeled into them. I am drawn to the concept of the charm or the amulet (I recently lost my cimaruta, sadly), not because I believe in ancient or current systems of power, but because I believe in my own power (certainly over myself, conscious or no), and can derive comfort and strength from my personal totems and emblems. The scarab traditionally symbolizes the sun (another favored symbol of mine), and so growth, development, transformation, creation.

$(KGrHqR,!r!FDk-+1EEQBRD-oVrFgQ~~60_57

There is a glyph on the back, anyone able to identify? Maybe a stylized Arabic script?

$(KGrHqN,!g8FDfjTCblwBRD-oYyz(w~~60_57