winging it

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I often don’t take the time to do structured eyeliner but I often like the look, and keep meaning to wear it more. I especially like it with an otherwise bare eye (except for some mascara maybe, but no liner on the bottom lash line), and I like it more still with an otherwise bare face.

I like gel liner and a fairly stiff angled brush for winged/cat-eye liner. This is MAC’s Dipdown gel liner, a dark brown, and a bit of a plum Tarte Smoldereyes pencil on top of that (these pencils are great, super soft and blendable).  There can be some trial and error getting the flicks more or less symmetrical but I tend to do what I can and clean up/shape them up after with a cotton bud. I really could not manage makeup at all without cotton buds.

I like doing a smudgier, softer version with a soft pencil, too, or just eyeshadow. Or doing it in gel liner first and running over with a pencil or shadow to soften (or hide imperfections in a substandard line). As for the philosophy of the flick, I think there are so many shapes that can look good (even a poor execution can look good with enough smudging, a smudging brush is a good investment), and it’s just a matter of practice.

Part of the reason I don’t bother with winged liner, I think, is because it seems like I have to put such a lot on for it to be visible. The flick has got to be pretty dramatic or it is just lost in the crease of my eye somehow. Then there is the issue of time. I really enjoy makeup, and enjoy the transformation and the playfulness of it, but I’m not always (or even often) willing to take the time. It’s an interesting piece of data: that I could look basically as nice as I please (as polished, as well made up, as presentable), if only I would take the time to do it. And I guess kind of interesting too that I usually won’t bother. It’s as if, if I know that I can look really nice, what does it matter if I do?* As if looking like you could look better is as good as actually looking better. Is this the key to the charm of ultra-casual, messy-chic looks? The emphasis on the quality of the raw canvas? [Which may itself be an artificial effect? i.e. no makeup makeup, or stylized disarray?]

*Which is a valid question. Which gets at the question of the motivation behind making any effort at all. Which is reminding me to reread bits of The Feminine Mystique, which I recommend highly.

But I digress…

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These earrings are white glass cabochons made from tumbaga, and ancient alloy of gold and copper. Found them in a cool little jewelry shop in Harvard Square that carries handmade jewelry by Latin and Latin American artisans.

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It rains in Boston. 

Kamik rain boots, Banana Republic trench (thrifted), Mulberry bag, Zara scarf. I really like this trench but I think I’ll replace the buttons with those of a darker color for more contrast.

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Listening to this Herman Dune track, a good song for a rainy day:

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the fisherman’s sweater ii

It can take a few wearings for a piece to be integrated into my wardrobe, with the first few wearings somehow stilted or off. It’s too new, I overthink it, I try to do too many things at once. I didn’t love this look, in retrospect (and it wasn’t that long ago):

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I thought: I can do this better.

Not just wear the sweater again, though this is also certainly part of the plan, but try this look again. This torn jeans, oversized sweater, leather accents, minimal embellishments look. I want the lip to be brighter and more transparent, I want the eyes smudgier, I want a different hair/head situation. Bigger hair. No hat. Or not this hat. This hat needs different hair entirely (cue entirely new vision).

[What I imagine to be a common practice of trial and error is less notable (less potentially galling) when one is not in the habit of publicly recording what one wears…]

Anyway. Sometimes I want a do-over.* And not to do it “better”, exactly, as I think that’s not a very useful word here, but more in line with the spirit of the concept, the original vision. The effect in the first case is too polished, too tightly controlled, not casual enough – given the reference point. It looks fine, but it’s not how I wanted to look.

*This is distinct from liking a look so much that I want to try infinite variations of the look, which I suppose isn’t a bad definition of a clear personal style.

This is more what I was thinking.

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I swear I was trying to make a neutral face here. I think my neutral face is just not very friendly.

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Carraig Donn sweater (thrifted), AG jeans (thrifted), Ann Klein loafers, Skagen watch, Mulberry bag (thrifted). On the lips: MAC lipstick in Speak Louder. On the nails: Barry M Gelly nail paint in Satsuma. I think gold liner is such a great alternative to brown. Oh, and this is the Michael Kors bronzer at work, though I recently tried the Hard Candy Hula Hula bronzer and found it a great budget option in the same deep, shimmery style.

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This nail color is incredible, a saturated mandarin orange. Better angle:

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Why why why do I not wear my hair like this all the time? OK, I know why, but here is my official reminder to change my ways.

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