smell this: Halston 1-12

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Halston 1-12 launched in 1976 along with its more popular brother Halston Z-14. Both were named for the perfumer’s codes for the drafts, Halston couldn’t decide between the two and launched both simultaneously. Often considered the younger brother, overshadowed by Z-14 (a harbinger of the 80s powerhouse colognes to come), but I think it is also the more academic, more mysterious brother. Z-14 doesn’t interest me at all. I don’t typically like chypres,* often think they smell…not good. Old fashioned? Unpleasant. Musty but not in the way I like…

* “Chypre, pronounced: [ʃipʁ] or [ʃipχ], is the name of a family (or concept) of perfumes that are characterised by an accord composed of citrus top-notes, a middle centered on cistus labdanum, and a mossy-animalic base-note derived from oak moss and musk. Chypre perfumes fall into numerous classes according to their modifier notes, which include but are not limited to leather, florals, fruits, and amber.” (wikipedia)

But I like this. Probably because it meets the technical requirements of a chypre but feels like a fougère.**  Fougères I routinely like (ref. YSL Rive Gauche pour homme). Intellectually a chypre, emotionally a fougère, 1-12 is surprisingly complex for its price tag, and surprisingly contemporary for its age.

** Fougère, pronounced: [fu.ʒɛʁ], meaning “fern-like”, is one of the main families into which modern perfumes are classified, with the name derived from the perfume Fougère Royale (Houbigant) by Paul Parquet, now preserved in the archives of the Osmothèque. This class of fragrances have the basic accord with a top-note of lavender and base-notes of oakmoss and coumarin (Tonka bean). Aromatic fougère, a derivative of this class, contains additional notes of herbs, spice and/or wood.” (more wikipedia)

This opens with a bright lemon and green cedar-like accord, a little shrill for the first few seconds (but you know better than to judge a perfume in the first few seconds) but quickly softened by notes of basil and bergamot. The opening is not my favorite part of this, reminds me too much of the screaming green opening of Grey Flannel, which cologne I like but not until many minutes after application (and even then, not so much as I like 1-12). Grey Flannel, while it has its charm, could never be mistaken for a modern perfume, and I think 1-12 could be. And probably would be, as few seem to know about it.

Effervescent citrus and coniferous green soften into a soapy, lavender-infused green with a hint of gin—by which I mean juniper—, and when the creamy tonka bean (sweet, vanilla-like) comes forward, that’s when I begin to really like this fragrance. The green smells interesting and fresh, mossy yet newly laundered at the same time. This base is balanced such that the players that often dominate the base (amber, musk) are instead quietly warming and intensifying the rest of the team. The key players left on the skin hours in (and this lasts pretty well on me) are moss and tonka bean, with the aromatic cedar and juniper (and maybe lavender, sometimes I can catch it and sometimes I can’t) never quite fading away completely. This may be too soapy for some but I don’t mind it at all. My main complaint about soapy fragrances is that they are dull, and Halston 1-12 is not.

To me this smells subdued and elegant. It’s gently masculine, readily unisex. Suitable for wear year round. Especially good in the rain.

It’s been discontinued for a while but it’s still easy to find it dirt cheap all over, around $10 or less. Fantastic value here, this fragrance shows that you don’t need to spend a lot to get a quality scent. You’re not likely to bump into someone else wearing it, either. Woefully overlooked, check it out.

 

we like: Bite Beauty Cashmere Lip Cream

The Bite Beauty Cashmere Lip Cream formula is so interesting. It’s a cream-to-powder matte lip product that reminds me of a more posh, more pigmented version of the NYX Soft Matte Lip Cream (which I also like a lot). Evidently it features unprecedented levels of pigment for this kind of texture, which I readily believe. This gives massive color impact in one swipe.

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Here is their blurb about how it works, which sounds so cool,

“The cream-to-powder delivery system is achieved with an advanced formulation of butters, waxes, and oils that all have different melting and absorption rates. The balanced combination of waxes and butters with the powder texture of silica develop a creamy and buttery application that quickly absorbs into lips while the powdered pigments remain on the surface to leave a matte finish.” (via Sephora)

Bite Beauty is a compelling (and relatively young) brand, all about nourishing ingredients, most notably high levels of the antioxidant reservatrol, also found in wine, presumably the reason behind naming so many of their colors after wines. They are one of a growing number of smart beauty brands out of Canada right now (Toronto). Their Luminous Créme lipstick, which I’ll talk about soon, is absolutely gorgeous, and their various lip pencils are excellent as well. Solid all around.

I picked up the color Sancerre, a bright raspberry pink. This is quite a dry cream upon application yet doesn’t dry immediately on the lips (is blottable for many (say, 15 or so) minutes, with increasingly faded results). The curious thing is that even if you keep blotting, though product comes off on the tissue, the effect on the lips doesn’t seem to change at all. That is, blotting truly removes only the excess, not part of the foundation of color you want to keep. It comes off on drinking glasses and whatnot as well, minimally, yet still without diminishing the effect of color on the lips, at least not for a good while. Pretty impressive for a formula that doesn’t promise to be long-wearing. It has an interesting flexi-fuzzy-tip applicator, a little longer and narrower than the standard doe-foot. More like a short mascara wand, and I think it works brilliantly.

We like.