lips - The Seventh Sphinx

I like that people seem to be more open to lipstick, and especially bold lipstick, in the winter. I support that.

Here are some of my favorites just now, in a range of fall/winter shades. [Though I would wear these colors year round. Rather I do, or will.] While I see the logic behind the seasonal shift toward a darker palette —as the environment grows dark and somber so do our clothes and the colors we find compelling and suited to the season—I see choosing bright colors as a natural reaction against this trend and a great way to be unexpected, playful. As much as I need the plums and the burgundies (and I do need them, oh yes), I also need a respite from them.

In my mind this makes complete sense.

I’ve been sporting both brights and darks, mattes and shines, with a selection of pigmented and sheer formulas.

Pigmented formulas first:

L to R: Rimmel Apocalips in Big Bang, Revlon Cherries in the Snow, NARS Funny Face, Lancome Rouge in Love Fiery Attitude (wearing here), MAC Dubonnet (wearing here), Albeit Vermillion, Rimmel Kate Moss Kiss of Life, MAC RiRiWoo, Tom Ford Narcotic Rouge (wearing here)

While I love orange in the summer, I think fuschia makes a great bright lip for winter, from the floral pop of Revlon’s Cherries in the Snow to the rich bordeaux of Lancôme’s Fiery Attitude (again, for the record, I love this formula).

The internet is full of blogs dedicated to swatching, which is my way of telling you that I am not going to do it because I don’t want to (so I would never do a truly good job, you see? It’s better this way). For now, trust that these reds are all completely different. I would also include MAC’s Brave Red here, only not pictured because mine melted a little, and Revlon’s Black Cherry, not pictured because I can’t find it. Now that I can’t find it I really, really want to wear it. Right now.

Pleased to find that the Albeit lipstick I picked up in the Anthropologie holiday sale is lovely. Creamy, beautifully pigmented, Vitamin E, cool vintage gold bullet, etc (wearing here). And RiRiWoo, though I was suspicious of the hype, is awesome. Awesome, people. The reigning red of the moment (wearing here).

On to the sheers:

clockwise from top left: Revlon Balmstain in Crush, Lipstick Queen Saint in Berry (wearing here), Revlon lip butter in Fig Jam, Chanel Rouge Coco Shine in Esprit, Almay Liquid Lip Balm in Candy Apple

Sheer formulas are what I tend to carry around in my bag, beloved for their quick and easy application and general compatibility with a slapdash approach. I like all of these formulas but especially the Lipstick Queen Saint lipstick* and the Chanel Rouge Coco Shine. So smooth, such a uniform slick of color, such pleasant texture. If you want to give someone the gift of lipstick, I suggest you give them Lipstick Queen in Jean Queen or a Chanel Rouge Coco Shine. These formulas are that rare combination of stunning and friendly.

Or you could get them RiRiWoo, if it hasn’t sold out again already.

*A cool concept. There are two lines: Saint, with 10% pigment, and Sinner, with 90% pigment.

I like the Almay liquid lip balm, too, which is kind of a cross between an ointment and a gloss. Some of the other colors in the range look horrid but this one is natural and nice, sheer but with a distinct tint.

OK. Go forth and brighten thy lips.

Here’s a peek of the face situation for a look going up later in the week. I wanted to dwell on the lipstick for a moment.

A bold lip is great for autumn/winter, yes, that’s true…but perhaps you’ve noticed how it’s always great, all the time?

I followed the principles of this tutorial by Lisa Eldridge (who we love*), which counsels neutralizing any redness in the face before going for a dark red or bordeaux lip – as any red or purple tones will be highlighted and amplified next to it – then tips for how to approach the task, which can indeed be daunting.

*here is another favorite lip-centric tutorial

I colored in the lips with MAC brick pencil and then went in, straight from the bullet, with MAC Dubonnet lipstick, a beautiful dark claret. Part of the idea of the pencil is to work out the shape of the lips with the more precise tip, which you then follow with the lipstick, coloring inside the lines, as it were. You can do corrections with a pencil – most people’s lips are somewhat wonky, mine definitely so – but I don’t often bother. It’s a lot of work (I find it really hard to figure out which is the part that needs fixing, my face is too familiar), looks even stranger than the actual shape up close, and…these are my lips. They look nice and human this way. Part of wearing bold lipstick is doing your best and then embracing that harmonious state of mind wherein you let these things (and all the other things that can go wrong) go. OR I go for that vague hazy stain approach, where you pat on the lipstick in a cloud of color, blot most of it away and leave the edges fuzzy: much more forgiving, and it has its own charm.

It takes me kind of a long time to do a bright/bold lip color…I am pretty slow anyway, and like to fuss and fiddle with the intensity and the edges (which are still wonky, after all that…). But I ask myself, do I want to wear it or not? I do, I do, I do.

Category: lips

winter lips

the bold lip