building blocks

If you are attacked as regards your style, never reply; it is for your work alone to make answer.

                                            — Voltaire, Voltaire’s Philosophical Dictionary. 1802

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Here’s the shirt I picked up from the Altuzarra for Target collection (available on Net-a-Porter). Really nice cut, just an OK fabric, polyester crêpe de chine, which just means a plain lightweight weave with a crisp appearance. Some pieces are especially fruitful starting places for a look, and I get so many images and ideas when I see this cornflower pinstripe buttoned number. Things just start falling into place, snowballing as if of their own accord into a fully formed ensemble. For instance…

First: pencil skirt. Not black, though, not dark at all, I think. Something pale, gray possible, or flax. I want a heathered texture, for whatever reason. Something in a warm fabric for early autumn, literally and figuratively. This thin woolen blend No. 2 pencil skirt from J. Crew suits. This is a critical fork in the road, and determines all the colors to come.

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Then shoes, I think (though any element may be the starting place, and any may yield the next). And I still have those heeled huaraches from the Altuzarra show on my mind, so something along those lines, but in a richer shade now.

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Then lipstick, surely. I could go in a few directions here, anything on the red or plum spectrums, even a rusty orange, but a medium to dark fuchsia wins the day. Cannot recommend the Estée Lauder Pure Color Envy line enough.

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Then I see browns, golds, ivories for the other accents. Pearls, of course pearls. This is the Bobbi Brown Surf & Sand palette, an excellent option for a basic mix of easy shimmery and matte neutrals. I like this strong blue anchor (not that it is a bold blue, but that it is a definite, conspicuous piece of color), gently shadowed and warmed by pale neutrals. I know I’ve hit upon a a good color vein, or combination of color threads, when it pleases me to see them together. There is a certain almost visceral satisfaction to these happy combinations, as if sating your (ravenous, always) eyes with a nourishing meal.

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It doesn’t matter what the colors are, really. Which categories they satisfy. Just as it is beneficial to begin thinking of makeup as one massive collection of pigments with various textures (not lipstick, but creamy pigment, not eyeshadow but powder pigment – so the potential applications begin to multiply), so you begin to think of your entire wardrobe (and more and more of life begins to fall into the category of wardrobe, of style) as a collection of colors in varying shapes and sizes, textures. Building blocks.

Then I toss in a watch. Gold-toned, surely. Love the sleek, clean designs of Danish brand Skagen’s watches.

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Just one example.

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Bikini tops are so versatile. Am only just now reminded of this look, though the bandeau is completely different. Totally different.

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It was about 95 degrees out, so one had to be creative. Still, sheathed from abdomen to knees, it doesn’t seem that revealing to me. Even though there’s obviously a good amount of skin showing, and a slinky jersey pencil skirt doesn’t obscure much. It always seems to be more a matter of what is showing, rather than how much. All perception.

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The song playing in the background of this look, a rough harmonic translation, say, is the badass, incomprehensible ‘Push Push (Lady Lightning)’ by Bang Camaro. Fellow Guitar Hero players will know this one. Who is lady lightning? What is she pushing? Why aren’t there a couple more lyrics to give me a hint? I don’t care. I like it. [Reminds me, need to wear these earrings again soon.]

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Seafolly bikini, Calvin Klein pumps, Kara Ross python/brass bracelet, 100″ pearl rope from Pearl Paradise, pencil skirt (thrifted), pearl bracelets (eBay), Ray-Ban aviators, French-style market basket. On the lips: Chanel Rouge Allure Velvet lipstick in La Favorite.

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