reading: wine, wine, wine, perfume

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This is seriously what I am reading.

The Diary of a Nose, Jean-Claude Ellena – Ellena is the in-house perfumer for Hermès, and behind a number of fragrances I admire and enjoy: Hermessence Vetiver Tonka, Cartier Déclaration (more on this later), Voyage d’Hermès, Bigarade Concentrée, Different Company Osmanthus, Terre d’Hermès edp, the list goes on. If you are curious about the art, skill, theory, philosophy, etc*. behind perfume, this is an interesting little book, though I admit not as interesting as I had hoped (or maybe I just wish it were longer – it is much shorter than it looks). I like his more technical book better, Perfume: The Alchemy of Scent, though I warn you it is extremely technical.

*Here, for the interested, is a good New Yorker article about the process behind creating the Hermès fragrance Un Jardin sur le Nil.

Wine Politics: How Governments, Environmentalists, Mobsters, and Critics Influence the Wines We Drink, Tyler Colman

Perfect Pairings: A Master Sommelier’s Practical Advice for Partnering Wine with Food, Evan & Joyce Goldstein

Essential Winetasting: The Complete Practical Winetasting Course, Michael Schuster

The World Atlas of Wine, 6th ed., Hugh Johnson & Jancis Robinson

I have decided to be a bit serious about wine. Wine suits me, and being serious about wine suits me better still. Took a tasting course and enjoyed it so much. The act of parsing out the notes is exactly parallel to assessing a perfume; all a matter of attention, concentration, and recognition (and, the most challenging, expression).

on the nails: the lizard look

I still only do my nails rarely, so far, even after acquiring no small amount of nail stuff. I am quite slow, and need a large chunk of time, and just want to take it all off if I’m dissatisfied with the results. Stamping especially is not for the faint of heart. I find it can be meditative, though, provided I am more or less qualified to do what I’ve set out to do. I have to concentrate enough that I can’t really focus on anything else, such that I seem genuinely to have nothing in my head except for the abstract sense of attentiveness.  And even if it doesn’t turn out, who cares?

If it does turn out, I can stare at it all the time/it distracts me (and begins to become intolerable as soon as it begins to chip).

I admit it is sometimes a strained relationship.

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This is OPI Jade is the New Black (really like this on its own) over a base coat of OPI Nail Envy, layered with the Pueen10 plate  snakeskin motif stamped in China Glaze Yellow Polka Dot Bikini. OPI RapiDry between coats.

It is bordering on questionable how much I’m into snakeskin right now.