weekend distraction: Carolina Herrera

Periodically there is a certain look or silhouette I have seen, perhaps only briefly, that stays with me for weeks or months, or longer. Haunting me, tugging at some as yet incoherent desire, shaping outfits to come.  To determine their appeal is a retroactive exercise.

There are two such looks at the moment (well, a great many more than two, but two dominate), and I wonder if it can be a coincidence that they are both from Carolina Herrera?

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This first is from Herrera’s Fall 2013 RTW collection, and a number of the pieces feature this fantastic belt in some form or another. Black and white of course we love, but also the severe structure of the neck and shoulders, the close tailoring from neck to waist, contrasting with the fluidity of the skirt. This was, somehow, the piece that convinced me that it is worthwhile to invest in a truly excellent belt. A belt that can, solely by its own virtues, cocoon the bearer in a halo of sophistication. [Must find an opportunity to show you the one I found.]

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This look is reminiscent of Herrera’s own uniform; she is invariably chic and nearly always in a white blouse and black skirt, which she changes occasionally for a black blouse and white skirt (this is a slight exaggeration, I think there is a gray skirt, and sometimes she is in all black…but the exaggeration is only slight, I promise you). I have mentioned before and will surely mention again my devotion to the white buttoned shirt, and I think I’ve covered my current preoccupation with long, full skirts, too. Here they are together! Living in harmony! In two of my favorite colors!

While quite different, the looks share clean lines, simplicity of design, an element of severity, and that maximal contrast.

Herrera is a Venezuelan designer whose brand was built on her own reputation for impeccable style. Her designs are often described as ‘classy’ in a vintage sense of the word that is increasingly rare in usage; the one giving the sense of elegance and grace without any irony or mobster w/ cigar imitation voice.  The designs are feminine in the sense of accentuating the waist and incorporating the soft lines of light, fluid fabrics, but they are often (certainly I think in these examples, it varies) stately, too. This is a reserved (and thereby fortified) elegance, which makes it all the more striking, poignant, to my eye.

images via pinterest

the crop top

 Red is black.

                            – Rei Kawakubo

In a way, a long-sleeved crop top makes no sense….

Perhaps that is what I like so much about it?

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And what could be a more fitting companion than the high-waisted pencil skirt? I like the surprise of the midriff in the otherwise conservative silhouette, and the way the shape of the bared section shifts as the body moves.

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Is it me or do I look kind of…scary here? Maneaterish? Evidently this is how I look sometimes.

Express high waist midi pencil skirt*, crop top from Asos, Cole Haan pumps, dupatta/scarf (giftshop), Breil Milano watch (thrifted), Mulberry Roxanne handbag (thrifted).

*Exactly the kind of pencil skirt I’ve been looking for: friendly amount of stretch, above-the-navel, below-the-knee, hugging but not without structure, not clinging. I got it in gray, too.

This is my favored bag of the moment. It has that functional, built-to-last professorial look I often like paired with a traditional aesthetic that also feels luxurious. A bit of a fashion quest tracking it down, many patient months of unwavering preoccupation, searching and waiting, waiting and searching.

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