the autumn/winter palette

So-called autumn colors are consistently my favorites, regardless of the season. Deep jewel tones, warm earth tones, any color a leaf might conceivably turn, the dark, sophisticated cousins of their spring/summer counterparts. There’s a lot of overlap between classic autumn and classic winter shades and I don’t make much of a distinction, though if forced I would say it is the warm, rusty, browned shades that dominate the autumn palette, and the winter palette substitutes that warmth for still more heavily saturated jewel tones.* Ex. the turn from the oxblood lip to the deep, blue-toned red lip (or burgundy to bordeaux). Ex. the turn from copper and gold to amethyst and jade.

*Jewel tones meaning (at least, I mean) colors somewhere on the spectrum of a true gemstone color, just darker or lighter, paler or more vibrant. A questionable phrase as the terms jewel and gem are hazy, and could really be said to include every color thanks to the diversity of minerals, but when we talk about beauty and fashion we understand the term to mean saturated and vibrant, often dark colors. So, OK, fine. Jewel tones.

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I like this transitional period wherein it’s not too late (I mean, it’s never too late) to evoke the rust and copper of autumn, and the muted violets, rosy reds, and deep greens of winter are fair game. I’m especially into plummy, bordeaux shades this year. Definitely another burgundy/bordeaux lip round up coming soon. Will be telling you more about some of my favorites pictured here as well, mostly quite new, and some real beauties.

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Really the only thing to do with piles of beautifully colored objects is to arrange endless configurations of them. Right? I, at least, never tire of this.

For me makeup is only fractionally about the medium/texture/formula, and primarily about the color. I am not even shopping for a category, sometimes, not a blush or a lipstick or a shadow (many of these can be multi-purpose, anyway), I am shopping for a color. An excellent formula is then a happy bonus. I have a few lipsticks that are lovely in texture but a little eh color-wise, and they don’t get much love. On the other hand I have some mediocre shadows that I make work because I like the colors so well.

Color is also the most dangerously effective justification for getting another thing, makeup-wise. I think I may accurately blame much of my stash on color preoccupation.

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the hooded parka

Surely winter could not come and go without at least the consideration of a new coat. Surely.

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And wouldn’t you know it, I found one! An olive green parka with a fur lined hood, like I’ve been hoping to find for ages. Ages I tell you. Cotton, not down, but still quite heavy and warm, and not $600. Not inexpensive, either, but that’s a coat for you.

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It’s getting to be that time where the fashion element of the site consists of various outerwear and protective gear. I do love coats, but still. It’s going to be a lot of coats. A lot of a few coats. One does want to look just as stylish with or without a coat, true. I’ll be mostly wearing thermal shirts and sweaters underneath them so will probably look a good deal more put together with the coat on, but one does long for the days of bare arms and wearing whatever one wants.

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Two scarves!

Zara parka, Express Jeans, Jeffrey Campbell France Strapped boots (I do like olive and rust together). On the lips: MAC lipstick in Hang Up, a deep raspberry bordeaux, which liking very much. I need to do another bordeaux lip round up, I think. Have found several I like since the first one.

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I can’t get enough of dramatic hoods and collars, and dramatic necklines in general. Fur is an easy way to achieve this kind of massive sculptural volume around the shoulders and/or throat, and I’m always lamenting that some of the old school strategies have gone out of style, i.e. ruffs and vertiginously high collars. A generous hood can be such a pleasing frame for the head and shoulders when down (think the massively hooded cloaks the women are wearing throughout the Danish film Babette’s Feast – excellent film btw), it’s almost a shame to put it up. Then, though, up it is a completely different kind of pleasing frame.

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