luxe lip: Tatcha Kyoto Red Silk Lipstick

On June 5, 2015 by theseventhsphinx

If you’re in the mood for a luxurious lipstick, you might consider the Kyoto Red Silk Lipstick from Tatcha. An ancient shade with a modern formula and beautiful presentation. This is a limited edition offering but currently available. Observe the handwritten note on my packing slip!

tatcha kyoto red silk lipstick

The color is the traditional geisha shade of shu-iro, which translates to vermilion or scarlet in English; an orange-toned red. This, though, is a red that can present as a true balanced red, a cool rosy red, or a warm red depending on the context. Quite a wily shade, and hard to pin it down. Or, easy to pin it down at any given moment but then always changing on you. It’s clearly warm toned when put against a distinctly ruby/cool shade, but has a deep rosy red color on the cotton round when I’m removing it…perhaps it is warmer on the lips than in the bullet? I don’t know. Good luck.

The concept is that it gives radiance to any complexion. I’m not guaranteeing it would do that but I’m pleased with its chameleon-like nature, and—however it reads—I really like the effect.

red lipstick swatches

Swatches in daylight, L to R (Kyoto Red in the center): Lancome Rouge in Love 181, Tom Ford Narcotic Rouge, Tom Ford Cherry Lush, Tatcha Kyoto Red, MAC Russian Red, MAC RiRiWoo, MAC Lady Danger

It’s not a sheer formula but it’s the sheerest of what I’ve swatched here. Lady Danger is more orange, Russian Red is darker and more blue-toned, Cherry Lush is brighter and rosier. I don’t find it as creamy as any of these formulas, actually, despite Tatcha’s silky promises, but it’s good for a matte formula (it’s more matte than the other matte formulas above, as well), and the fact that it isn’t crazy opaque makes the formula friendlier, in my opinion. I do an initial application to get a general shape, blot, and do a second application to refine the shape. Could use a lip pencil beforehand to make the edges more crisp but I tend to prefer softer edges anyway, so direct from the bullet is fine, with maybe a little help from my best friend, the cotton bud.

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Wearing it in the previous post, doesn’t really come across as orange-ey here, I wouldn’t say.

If I had to choose between these formulas I’d probably go with Tom Ford’s matte over this one…(that is, if I wanted to spend ~$50) but this is a unique color to my eye, and that is in its favor. I also really appreciate the fact that this is almost exclusively a skincare brand that released just one shade of one formula of lipstick, and this is it. Thus saying, this is the only lipstick you need.* Rather, this is the only shade of lipstick a geisha needs, and don’t we all want to channel her intrinsic elegance and impeccable taste? I like this brand.

*Though, we know that is not the case here…

tatcha kyoto red silk lipstick

[My name is Meghan. If you’re new to my blog, welcome!]

The lipstick is faceted at the tip, creating a distinctive silhouette that reminds me of Charlotte Tilbury’s lipsticks and some of Tom Ford’s new releases but which is its own creature. I wouldn’t say this makes application more precise but it looks really pretty. Also, I’m confident that this is the heaviest lipstick I own. Luxe points.

tatcha kyoto red silk lipstick

Here I’ve just drawn on the booklet that accompanies the product. Doesn’t look orange here at all to me!

xo

the dressing table

On December 30, 2013 by theseventhsphinx

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I like the routines of grooming and preparation surrounding the dressing table, a key player in the (not the literal but certainly the ceremonial) beginning and ending of each day. This for me is almost always some elaborate series of attentions paid to the skin but the full setup* is stocked with all manner of tools and medicaments, cosmetics and paraphernalia. A great deal can be accomplished in this space, particularly in the realm of transformation, and it’s often a meditative process. It strikes me as a private space, too, where I am with myself (with the reflection of myself, too, causing that multiplication/division of identity a mirror always does for me).

*No coincidence that I show you only a fragment, though this is partly a matter of obscuring what the mirror would betray, which is a true, true—as I define it—mess (this, too, is private).

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This, I realize, sort of in conjunction with my bathroom and all its tools and potions and particulars, is the main reason I don’t like to be away from home. My current favorite products within familiar reach. This general arrangement, at once stylized and utilitarian, and the set of routines it facilitates, is one I don’t like mucked with.

Showing you a bit of it as I enjoy seeing how people store things; how their lives, their daily environments, really look. In this no detail is too small to interest me (sometimes it is only the small details that will interest me). I keep this space quite organized (there are cardboard dividers in the mugs to sort pencils and brushes into subcategories, I’d just used the lipstick when I took this), though I change it around often, too, rotating products in and out according to my rapidly shifting whims and preferences.

IMG_0247You’ll spot a number of favorites I’ve mentioned, and more.

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