smell this: Lalique Encre Noir

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Lalique’s Encre Noir is aptly named. It does indeed smell like black ink, specifically like the black ink I have from the calligraphy shop in Chinatown (different inks can have quite different odors, depending on their origins and ingredients). Put any ideas of unpleasantly chemical toner cartridges out of your mind, proper black ink smells incredible. There is something dark and earthy, like rich, freshly unearthed soil, as well as a slight saltiness combined with a metallic tang that I find reminiscent of both blood and the more enticing of of the various darkroom chemicals. A certain mustiness might creep in, yet it is not unappealing. Rather like the smell of only just moldy bread, the richness of yeast with the touch of mold adding a bit of depth and interest.

Ink smells like… ink, OK?

So to this concept of dark, earthy black ink is added an equally dark and earthy vetiver. This is neither the bright, sparkling vetiver of Guerlain Vetiver nor the rich creamy vetiver of L’Occitane Eau de Vetyver, and it is worlds away from the sweet sophistication of Vetiver Tonka. This is the darkest of my vetivers, and it has the kind of powerful, distinct personality you would remember. It is closer to the raw scent of vetiver oil, which is, undiluted, basically unpleasant. Imagine the root of a bitter grass any human would know instinctively not to eat, and imagine it is still covered in loamy earth, and imagine there are cuts in the root emitting a bizarrely fresh scent, almost minty (in countries where vetiver is harvested people will scrub the roots clean and put sections in a pitcher of water to add a bit of zest, as one might do with mint or lemon). Then you add a bit of smoke, a bit of bourbon, a bit of cedar, a teeny bit of musk (this comes forward later in the day), and goodness knows what else.

This is unapologetically dark. An obvious masculine, which means, of course, that it is fabulous on a woman who loves it*. So obvious a masculine, though, that I think a lot of men wouldn’t touch it, either. It’s not for the faint of heart, and watch out if you do touch it. Vetiver is a common base because of it’s excellent lasting power on the skin, and the smallest drop of Encre Noir lingers for hours on skin and for days or weeks on the inanimate (coats, scarves, sweaters, watch bands, pajamas, etc). For some people the booze is too prominent, for some the smoke, for some it is just too much vetiver (depends on your nose and your taste). That said, for me, this smells goood. This smells alluring. Dare I say it, sexy. It’s dark, rich, intriguing, unforgettable. I apply with a light hand and only when I’m in the right mood (usually when it’s cold out, it can be too much for me in the warm weather). Sometimes I’ll just spray it on a coat or a scarf at a distance to get a gentle cloud of it that isn’t too much a part of me. Great bottle (though the pump sprays copiously, which I find not ideal). Not difficult to find it at a great price, either.

*There is an Encre Noir pour Elle but I haven’t had a chance to smell it yet. Curious, though.

smell this: winter 2013 fragrance picks

The cold weather makes certain heavy scents particularly appealing to me. The molecules aren’t as mobile and stay closer to the skin, evaporating more gradually, and a fragrance that would be deadly or cloying in the summer is rendered subtle and fine.

Here’s what I’ve been wearing:

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Montale – Red Vetyver. Just gorgeous. Pricey, but do you want to smell like a sexy, resinous tree or not? A little like Chanel’s Sycomore.

Lalique – Encre Noir (pour homme).  This actually does smell a lot like black ink, the kind you would buy for calligraphy or what have you. Like ink + a dark, earthy vetiver. Great on a man, better on a man with stubble, but maybe better still and more charming/unexpected on a woman.

C.O. Bigelow Musk perfume oil. A little goes a long way, but great to mix with a body oil to dilute and slather away. Rich, powerful musk that isn’t too…fecal. I also like to put this on as a base and temper with something sweet and light, like a simple floral like

Tea Rose by Perfumer’s Workshop. Olfactory equivalent of a photographic representation of a tea rose, or, to me at least, a wild rose. Simple, light, refreshing (not a dark, syrupy, honeyed rose), and so inexpensive. Men, try this on. Plays well with others. Mix it with Guerlain Vetiver and you become just about effervescent. This will be great for spring as well, but winter is when I miss florals. Same idea behind

CB I Hate Perfume – M2 Black March. [not pictured as I only have a sample vial] This smells precisely like a handful of freshly turned earth with crushed flower petals and roots mixed in. Incredible. Not cheap. Lovely old-school apothecary packaging. Get the perfume absolute if at all, which is a viscous oil that lasts on the skin for hours. Also great in the rain. Or give it to a gardener.

L’Occitane – Eau de Vetyver. A creamy, rich, slightly dirty vetiver. Cozy and enveloping.

Paloma Picasso EdP. A kind of sparkling chypre (which genre I usually don’t like) from the 80s that is often marked down at Marshall’s or TJ Maxx. Not for everyone, but a wonderful respite from the saccharine fruity-florals that dominate the market. Give it a while to develop on the skin before you veto, as it starts out a little green and screechy like Grey Flannel or Halston I-12 (both of which I also like in winter, but like more so in the rain). Points to guys who give this a go.

Bulgari Omnia. Now discontinued, it is superior to all of the flankers it spawned. Lactic and nutty with a distinct note of cinnamon, this will make you smell like a gorgeous, sophisticated chai latte.

Some fragrance resources:

Not familiar with vetiver yet? Get familiar.

http://www.basenotes.net/ (reviews, descriptions, note lists, and a good place to look up the year a fragrance launched or the perfumer behind it)

http://theperfumedcourt.com/ (try fragrances on your skin first if you can, blind buying full-sized bottles is risky business)