we like: Versace Fall 2014 RTW

The Fall 2014 Ready-to-Wear collection from Versace features micro dresses—that mod, 60’s length—asymmetrical hems, boxy coats, playful (or playlike, or toylike) military buttons, and a restrained color palette of mainly red, black, and a deep, saturated teal. I am often on board with superfluous buttons, but the real beauties of this collection are the bias cut dresses, a new thing for Versace, and the absolutely stunning boots. Leave it to an Italian designer to present badass thigh-high boots for daywear.

The bias is the 45 degree angle across the grid of a woven fabric, in which direction the fabric has greater flexibility and stretch. Fabrics cut in this direction, bias cut, are known for draping beautifully and hugging the body in a way that is fluid and seamless (or seemingly seamless, compared to the complex tailoring/seaming of a fitted dress cut straight), at least in luxury fabrics like silk and satin. They are usually easy to spot as the fabric of the garment and the internal seams necessary to piece together a sufficiently large swathe of fabric are at that 45 degree angle from the major seams. Galliano, for example, especially in his work at Dior, is known for his bias cut dresses.

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So these boots above are handsome, yes, chic and witchy, but I was talking about these boots.

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Ugh! Beautifully done, Donatella. The sleek silhouette is given a bohemian softness by the elaborate cut-outs and suede finish.

These ones not bad, either. These, still more baroque in their embellishment, seem to me even more blatantly Italian.

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images via style.com, click through to the slideshow to see the whole collection

 

hit ’em high

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I hit ’em high, hit ’em high, hit ’em high

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Hooooops.

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These are incredibly comfortable jeans. Pseudo-jean legging things. I don’t uniformly love a high waist (not every time, not in every context), but I really like these. At one point I was going on about back pockets and proportions, and these pockets are, to me, a great size. (I also really like these jeans pocket-wise, the pockets of which are even more square). Larger back pockets, if anything, make my ass look bigger, more generous—as does a high waist—, which I like. Small back pockets do not make it look any smaller (no one is fooled by this ploy), which I don’t want anyway*, and they look immature and useless besides.

*I want it to look…not small. Like, a handful. I have no time for jeans that are not on board with this goal.

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Express Stella high waist leggings, Eric Michael boots, Urban Outfitters plaid shirt, Banana Republic trench (thrifted), necklace via asos, J Crew belt, Mulberry bag (thrifted), Fossil watch. On the lips: Milani lipstick in Naturally Pink, much blotted and with Smith’s Rosebud Salve over top. On the cheeks: Michael Kors bronzer and Tom Ford blush in Love Lust, which will tell you about soon. It’s gorgeous, just a bit more muted/sophisticated than the (otherwise very similar) Japonesque blush I like so much.

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I’ve been wearing my hair down more, too. Not as inconvenient as I was remembering. Hm. Don’t faces look totally different at 10′ vs 2′ away? The whole architecture of the face seems to change.

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x

p.s. I’m giving away one of these Designsix ‘love’ necklaces this week. Just leave a comment below to enter! Open internationally, winner will be chosen randomly next Monday 4/14/14 at 10pm EST and informed through disqus. Good luck!