I know I am not alone in often resorting to subpar formulas for the sake of a tremendous color. That is what makeup really comes down to, for me, a straight issue of color. Do I love it? Do I want it? Is it worth it?
Color has powerful effects on us! Or can have. There are studies. I have immediate, often visceral responses to colors, for good or ill.
I’m debating this eyeshadow palette right now, the Kat Von D ladybird palette, just for the sepia color on the end. I hardly even wear eyeshadow! I have no money to waste! But this color…it is exactly, exactly the color I have been looking for. I just want to gaze at it and marvel at it. And maybe I would wear it! If I had that perfect color…(is how it goes in the brain).
You see, on the far right, what I mean? That rusty, burnt sienna color? I have seriously been looking for a sepia eyeshadow like this for years! The rest of the palette is nice, too, conveniently.
I have been thinking about makeup this way constantly lately, as a tool for controlling color–hills and valleys of color, planes and angles of color–, and the paradigm works every time. A nice simplicity to it.
Uhh. Where was I? Oh, yes.
Ideally, though, you don’t have to compromise with the formula, and in NARS Heatwave (called ‘semi-matte’ and accordingly matte but not in that unfriendly way) we see a happy confluence of form and function. A brilliant, almost neon red*(which sometimes plays a heavily saturated neon coral) that performs exactly how you would hope. At least, exactly how I hoped. If I’d had it at the time, I would have included Heatwave with my earlier red-orange/orange-red picks.
I was in no way disappointed, and perhaps you begin to gather how particular I am.
*Wearing it here.